The History of Korean Art Essay -- Korea Art History Artists Essays

The History of Korean artifice The impostureistic creations of Korea, while largely influenced by Chinese, be characterized by simplicity, spontaneity and naturalism. A work of Korean art is not very meticulous in tiny details. It rather tends to force wholeness. This seemingly indifference lies in the flexible state of mind of archeozoic Korean artists who love nature as it is. Ko Yu-sop, a Korean art scholar, defines the characteristic aspects of Korean art as technique without technique, preparedness without planning, asymmetry and nonchalance.During the Three Kingdoms period (BC-AD 668), the first major period of Korean Art during recorded history, the local powers of Koguryo in the north, Paekche in the southwest, and Silla in the southeastward fought for control over the Korean peninsula. Koguryos art survived mostly in the stage of fresco-type mural paintings decorating 5th and 6th century tomb chambers. The vigorous colorize paintings represented lively ev eryday scenes, animals, and other stylish figures, some of which screening Central Asian influences. The Paekche kingdom maintained close relations with lacquer in the 6th and 7th centuries. Its art is mostly known for graciously sculpted Buddhist images preserved in Japan. The finest example from this period is the multicolor wood figure of Kudara Kannon in Japan, which either was brought from Korea or was carved by one of the many Paekche artists working in Japan at the time. Silla art of the Three Kingdoms period is noted for the refinement of its metalwork. Monumental tomb mounds border Kyongju, the Silla capital, is famous for a striking array of uniquely Korean ornaments, including a group of cash crowns richly decorated with masses of jade pendants and gold discs. Silla unified the Korean kingdoms into a single nation in AD 668, marking the beginning of the Great Silla period (668-918). Impressive granite monuments were constructed, including the mid eighth century pagod a of the Pulgaksa monastery and the cave temple of Sukkalam, both located near Kyongju. The Sukkalam contained a giant stone Buddha figure and fine relief carvings showing Chinese influence. Metalworkers of Silla period excelled in the creation of large bronze temple bells, which were much as tall as 13ft high. Also noteworthy are the comely bronze figurines of Buddhist gods, such as that of Maitreya (7th century). Suppor... ...d the school library computers to break some articles that I effect to be useful. I also found a couple of web sites that dealt with international art histories. And here are the sources I used to do my research.BooksMcKillop, Beth. Korean Art and Design. New York motion-picture show Editions, 1992.Kim, Won-yong. Visual Arts of Korea. In Kim Won-yong. Art and archeology of Ancient Korea. capital of South Korea The Taekwang Publishing Co., 1986.Chung, Yang Mo. The Art of Everyday Life. In Hongnam Kim, ed. Korean Arts of the ordinal Century S plendor and Simplicity. New York The Asia Society Galleries, 1993.ArticlesBest, Jonathan W. 5,000 Years of Korean Art History and History, A Review Article. The Journal of Asian Studies 403 (May 1981) 559-566.Kim, Won-yong. Philosophies and Styles in Korean Art A Prelude to the History of Korean Art. Korea Journal 194 (April 1979) 4-10. Also included in Art and Archaeology of Ancient Korea. Seoul The Taekwang Publishing Co., 1986.Kim, Young-Kee. Modern Art in Korea. Kukche munhwa 41 (19679) 109-142.Websiteswww.Asia-art.netwww.emb-korea.ottawa.on.ca/html/e_menu.htm (Embassy of the Republic of Korea)